issue 2 fall 2026 The User Who Exists on Paper The lead producer behind MANIFEST--a large-scale cultural project that engages with the European memory of the transatlantic slave trade--wonders whether audience access is restricted before the project is fully realized. Manifest Final Exhibition - Nantes 2022 Editor's Introduction In “The User Who Exists on Paper,” Matias Seidler describes the persistent challenge of prematurely defining project audiences for grant funders and